“Nevertheless, she continued to exist,” is an expression that describes how Elisabet Stamm succeeds in making her collections. As if it wasn’t enough to have a business reorganization, the designer had to move home and the office. Yet she not only remained steadfast, but also cheerful, she said, she said, to do what she could and accept that it would be enough – and it was.
The designer opted for a presentation, which means that close-up and the tight operation showed her hand with denim and performance/street clothing. She cut a bright color block of nylon pants with bent inserts, some of which were combined with the popular puffers of her brand, this season short. A mini hoodie was also layered under a ripstop bra -top. In terms of Denim there were black jeans with red stitching and another pair in a gray wash, with pure hind leg panels. They were made five times, said Stamm, to get them right. Red Wash Denim and Red Rose Prints spoke with the theme of the collection, which was passion, as in your driving force. “I could have given up a million times,” said Stamm in a pre-show interview, “but then I was something like that.” (Hence the rose prints.) Stamm’s presentation, arranged as an enchanted garden, was a kind of passion play in which part of The cast pursued their vocations: a drummer drums and a writer, dressed like a bride, written love letters.