“We are really shocked,” said Nhera CEO Ladislav Zdút of the political situation four months ago. While the world continues to go to an uncertain future, ZDút and Team landed and embraced the hope that is inherent in spring, on the theme of “playful rebellion” for the new collections of the new men and still released women’s collections. The starting point for each was a Czech New Wave film from 1966 called Daisies. “The main characters realize that the world is going to be bad and society is corrupted by power and money, and they come to the conclusion that they are not obliged to behave well. They go on an anarchist spree … They stay in their pajamas all day and they respond to the broken society, not with Hopeless and Wanhoop, but with playfile, but with playful, but with playfulness, but with playful, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, but with playfulness, and with playfulness. “The result is messy and unapologetic and the collection channels channels the same energy.”
A scribble/collage print was the most literal interpretation of that condition. The pajam theme referred to the film back, but it also slid in bed with the Sleepwear Crossover trend that was one of the big stories of the season. This was the third men’s collection of the brand, and the well -processed offer was concise, desirable and went a long way to determining that this line is about a youthful relaxed elegance, enlivened with unexpected details. For spring, pajamas were cut from a linen fiscosis, which gave them a shine associated with ActiveWear, and a lanky pantsuit with double rice was shown in a lively melon pink. Instead of calculating the tendency to thin legs, Nehera went all the way for fullness; Note the “Pantajupe” (Look 10) and the generous proportioned unisex pants with a button detail at the bottom that pulls the fullness in and forward to create a more structured fit.